BORGERHOUT - Salle Roma
8 and 9 August 2008
Live at
the Roma: in the heart of swing with Helmut
[Recording of the TV Special
and of the DVD "Time to swing"]
Back from ANTWERP... where
we would have loved to stay in this pleasant music hall atmosphere.
Once again we were lucky enough to take part in the recordings of Helmut's
new DVD Time to swing.
The French fans are H A P P Y, enchanted and satisfied. THANK YOU,
HELMUT.
During
these two evenings in the Roma, Helmut was "extremely brilliant" and
really fantastic, particularly on the second evening with a slightly
changed repertoire.
I would like to tell all of you that the first part of Friday seemed to be
a little too slow. In the second part, however, Helmut made his audience swing
as he can do it.
The
Artist seemed to be in full shape to us, shining, with a voice that
was top, clear and modulated well. He showed the smile of a perfect
charmer, and his patience, kindness and humour were omnipresent as
always. Wearing a black suit with a waistcoat and a white fancy handkerchief
with a perfect cut and a black tie on a white shirt, he was very nice
to look at, always with this natural and refined elegance that characterizes
him.
Two excellent evenings that we experienced with all our bodies, all
our ears, all our hearts together with our excellent crooner-swinger
and that we will remember for a long time.
When we took our seats at the
balcony of the Roma, we noticed at once that was a wonderful hall to
receive Helmut and Time to swing,
having wooden sculptures and borders that were worked very well, a
ceiling decorated with a very beautiful rosette, beautiful paintings
on the walls and a very nice design on the two balconies. Unfortunately
all these beauties at this place of the hall seem to wait for repair
and plastering to me, just like the walls, which are waiting for being
painted. In my opinion, this gives a look a little sad to this balcony.
Around the ranks, a row of tables is placed, and a little lamp is illuminated.
The landscape of the ground floor must have been more beautiful. However,
I cannot judge this because I was not there. I trust the fans who say
the walls "were shining in brown and red, very gentle colours.".
During these two concerts,
we were bathing in a glowing heat, and everybody used a scarf or
a fan of luck for trying to refresh their faces. We sweat a lot .
It is true I was not seated too badly and I had no difficulty seeing Helmut
move on the stage. On the second evening, however, the telescopic arm of the
camera sometimes passed in front of my nose and cut our singer in two parts.
But this doesn't really matter, and I do not intend to complain even though
I would quite obviously have been delighted to be seated on the ground floor,
just like in Hamburg .
Finally the curtains of the Roma opened on a gigantic scenery, which
was worthy of the Tales of One Thousand and One Nights and frankly
took our breath at the first moments.
In the background of the stage and on each side, skyscrapers rising
before a starlit sky took us to New York, just like by the stroke
with a magic wand. This was a stylish and very sober scenery with which
the beautiful eyes of light were playing in a very sweet-and-sour manner
while giving life to the buildings as well as the discrete and beautiful
desks marked with the initials "H
L" in silver letters, behind which the 25 musicians and 6 choir singers (3
gentlemen et 3 ladies) had taken their seats.
There were 9 violins,
violoncellos, contrabass with Bertrand, guitars, drums, piano with
Thylaine, trombones, trumpets, clarinet . but no
saxophones, just like Helmut had announced in one of his messages.
The Golden Symphonic
Orchestra in all its splendour and headed by . guess who . our
conductor André, whom we had missed so much and who came back
to our greatest pleasure for the time of these exceptional evenings.
This was a very nice surprise indeed.
Astonishment and satisfaction were guaranteed to the whole hall when
André entered
the stage and a very warm and enthusiastic welcome by the audience greeted
him.
All the gentlemen in the orchestra and choir were wearing black suits with
a black bow tie on a white shirt. The ladies, for their part, wore black dresses.
Still very sober!
A majestic and shining stair with the shape of a half-circle was dominant on
the right side and was connected to a little stage high above. The main stage
where Helmut had to "operate" was black and as shining as a mirror. It showed
a beautiful space that was to enable Helmut to navigate at ease depending on
his dancing steps.
All the sweet colours of the rainbow were faded in one after the other by the
lighting technicians and subtly caressed the skyscrapers that took life intermittently.
This special scenery was extremely beautiful and shining everywhere, very classy
and elegant, fitting the artist's image.
The choir singers were right of the stair, and the musicians were on the left,
and like always, the little stair separated the strings from the wind instruments.
In the Roma, a typical swing atmosphere was reigning, and the club
on the ground floor, which was created for this occasion, offered a
bar on the right. There individuals with smokings and beautiful dresses
were propping themselves up. In the middle of the hall, little tables
with lamps and champagne were waiting for the customers majestically.
Enter this club in the heart of swing with Helmut!
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Many surprises were waiting for us and were following one after the
other in an a way that really inspired us.
Helmut, who had not contented himself with "crooning" in his previous concerts,
also became a perfect "swinger" wrapping us all with his dancing steps and
tap dancing. Swing perfectly fits him and seems to have been invented for him.
The repertoire can please those who are most sceptical if there are still sceptical
persons, after all.
After the musical introduction Time to swing , which
was played by the GSO, Helmut entered the stage. He majestically came
down the stage shining with light under ovations from the audience
and in the limelight. He was accompanied by eight beautiful dancers
of the German NDR Ballet. All these ladies were dressed all in white,
were wearing bodies with paillettes and long coats. On their heads,
they were shaking big white panaches . The choreography was worthy
of a show in a casino in Paris . Helmut took part in it by singing Mack
the knife in its English version, which was joined by the
German version on the following evening. This was a beautiful entrance.
All this was very shining and extremely beautiful. The tone and colours
of these evenings were set.
I was certain at that moment that everybody was thinking like myself
: that it was nice to see Helmut again and to hear him after these
long months of waiting and in this dream scenery.
He welcomed us by explaining the history of the Roma and its illustrious tenants.
Then he went on with a song that was very swing, That's life,
and the beautiful Fly me to the moon, which first only was
accompanied by the piano and violins, which were soon joined by the brass instruments.
What a beautiful voice .
Danke schön, which was sung in German, definitely
aroused beautiful reactions among the fans from this country.
Helmut himself was, of course, honoured with a beautiful declaration of love
to the woman he loves. Beautiful tune and sweet words for Heavenly
match on earth.
Cabaret, which
is known from Liza Minnelli, took us to the Moulin Rouge ,
where Helmut met a beautiful girl with a bowler hat and black and shining
costume, who was very sexy, sitting on a chair and moving her legs
in harmony with the swaying of the music. Other dancers in coloured
dresses joined our two actors at the end of the performance. Little
staging, which was very beautiful, and Helmut made his beginnings in
musicals.
King of the road, which I did not know, really conquered
me thanks to its beautiful tune.
La mer by Charles Trenet, which was sung in English on
the first evening (Beyond the sea), was the sting of the
show for the French fans on the second evening. A very beautiful surprise
with this masterly revival in Molière's language (as Catherine put
it) and in a swing version. Superb! And a great pleasure to hear Helmut in
our language again. I like the English version. But frankly speaking, I think
the French lyrics are so poetical that they alone can truthfully reflect
the atmosphere. This also was a real treat for our ears because this magnificent
song was arranged so magnificently. We strongly hope to find this song in
this version on the album and the following concerts again. All of you must
hear it!
A second song written and composed by Helmut In
the arms of a stranger took him to the bar, where he was sitting
on a stool and showing his back to the audience. His voice was crooning
this beautiful romantic tune with emotion.
Then there was Cry me a river, which also
was very beautiful. This song was followed by Love letters,
which is very well known because of Elvis Presley. For this song, Helmut, who
had come back to the bar, was joined by the 1 st violinist Milena, who made
the strings of her violin cry in order to tell us about love.
Helmut, who was still at the bar, took up Perfidia in Spanish.
This time he was accompanied by a guitar player from Malaga . He did so in
order to show that swing did not exclusively belong to the English language
but could perhaps also advantageously be sung and danced in other languages,
such as Spanish, Italian or French.
Before this, Helmut and this excellent musician had joined forces to perform
a duo in an original version of their invention Solamente una vez.
This was an interlude that was highly appreciated.
I won't cry anymore and Wanted terminated
the first part of this show. To me it seemed these two titles had already
been heard some time ago in Knokke but we loved to find them again.
The break is welcome,
and all of us, who were in an indescribable crowd, tried to reach
the bar in order to quench our thirst, a temperature of about 40° reigning
on the balcony here. This can cause discomfort.
Having a very fresh orangeade in my hand, I had the pleasure to get to know
two fans from the north of France, Patrick
et Michèle . They were very nice, and as you can imagine, I exchanged
my first impressions on Time to swing. Thank you, Patrick
and Michèle, for having come up to me so nicely.
It was soon time to go back
to our seats again in order to discover the sequel of this new album.
The second part of the show opened with a new composition written byHelmut, Around
you,
which was very beautiful, just like he can do it. This song was followed
by More.
Friday evening he served us with a piano version of Are you lonesome
tonight, which was played by Thylaine so well. The next evening,
he replaced this song with Danny boy so harmoniously. These
two titles are crowned with success.
On Saturday, Helmut swung to an Italian aria Ti guardero nel cuore.
Charme and enchantment were guaranteed, and the exercise was very conclusive.
Then it was the hour of my favourite song Fever, which I
know because of Elvis. This song is a treasure, a real masterpiece in this
repertoire. I was pleasantly surprised by the excellent acting of our crooner,
which was rhythmically accompanied by the music. This time the truculent choreography
performed by Helmut and his brilliant interpretation won him several minutes
of applause with a rare intensity. This was moving, a real pleasure. This absolutely
needs to be eternalized on the album and, of course, the DVD.
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Finally we found, this evening
exclusively, the world hit by Nat King Cole, Love,
in an explosive duo with a young and talented British jazz singer,
Claire Teal. She was unknown to me but has a remarkable voice. Her
solo voice was highly appreciated and applauded when she was singing
an a capella version of one of her songs. Really very beautiful. Unfortunately
duties were waiting for her on Saturday evening, and Helmut sang Love alone.
Of course, we did not dislike that.
The Roma, which already
was overheated in all respects, exploded with the famous "swing medley",
which we all know because we have heard it so many times at the numerous
preceding concerts and which always keep being appreciated, after
all. The whole hall is standing not to lose anything from this astounding
exercise and to be doped by the spectacular energy that Helmut develops
on the stage.
It already is later than midnight
when he took up Bad bad
Leroy Brown and Reed petite, two songs
typical of the swing era. Everybody knew the first one with the French
version sung by Sylvie Vartan.
Time to swing, the 4 th song written and composed
by our Star, terminated the presentation of this new project with
a lot of swing and temperament and a dance of the most devilish girls
performed by the ballet.
To conclude these two
evenings, there was the famous "lullaby" announced
by Helmut, which was, in fact, a breathtaking medley, where the dancers
on the stage and the audience in the ground floor abandoned themselves
to a devilish rock and were accompanied by the fans who were standing
and swinging on the balcony. This "lullaby" closed these recordings
in a fantastic final.
Standing ovations, applause, shouts and bravos welcome Helmut's performance
with fervour, and unfortunately, the curtain was lowered at the Roma.
Two beautiful evenings! A real success!
An exceptional symphonic
orchestra elevated by the Master's hands of the conductor André,
the remarkable arrangements of Wim et Helmut and a classy and esthetical
scenery, which are the case receiving Helmut's voice.
The dancers with colourful dresses and costumes, who accompany the
artist and give imagination to several songs, for letting a slight
touch of music hall reign here.
A variegated repertoire that swings softly or electrifies very strongly.
All songs are beautiful songs, which are gold-plated by the talent
of our Golden voice. As Colette puts
it so perfectly, you have the impression every time that the other
versions look pale as compared to his versions.
A music that is electrifying
and interactively communicates with the audience. And Helmut feels
at ease with his dancing steps, swings so well and has exuberant
energy at these swinging rhythms. "Swing" can
be felt, and doubtlessly Helmut "has a lot of swing".
Without obvious effort, this warm and melodious voice with the special
timbre makes this journey to the swing years and guarantees enchantment.
I was impressed by the fact that Helmut unrolled all these new songs
like on a rolling carpet perfectly, without interruption and without
hesitation as if he sang them for the x th time. Everything was flowing
with a confusing ease, a course without mistake. Wonderful work, very
much appreciated. The only thing to do was to state the success he
had.
The choir singers with beautiful voices, who respond to Helmut with
generosity and fervour in order to underline the tunes even more.
I must also say that I like
his own songs, which are tender and romantic and, in particular Time
to swing, which is very good
to dance with and is the highlight and culminating point of the show.
I'm also sorry I do not speak Dutch. For unfortunately, I have not
understood anything of all the explanations Helmut gave during these
evenings. Very frustrating and quite a shame.
It also is astonishing and very pleasant to state that Helmut always
is remarkably fresh to greet his audience in the late evening.
By way of summary, the
Artist with a capital "A" glittered throughout
these festivities so much that he inspired us and astonished us with
the quality of his performance. He masters his new show with perfection.
All the attributes and superlatives given to him are completely adequate
and merited, and he draws a perfume of perfection, which I like a lot,
with him.
The CD and DVD promise to be very beautiful, and I wish them a lot
of success.
As
for us, the French fans, we also had some glorious minutes Friday afternoon.
We were thankful we could go to the Roma with Catherine .
We were soon joined by Jacqueline
and Robert . While we were admiring the big poster announcing Time
to swing, we had the pleasure to be accosted by a journalist
of the TV channel RTL and his team. They were surprised to see that
French fans travelled abroad to applaud Helmut and that they had done
so for almost ten years.
After
a pleasant conversation, this journalist suggested his interviewing us. We
were delighted to accept this idea as you can imagine. We did what we had
talked about. We simply answered the questions, and it's not necessary to
tell you that we were not sparing of praise for Helmut and his work.
I cannot tell you what broadcast this journalist, who was accompanied
by a cameraman and sound engineer, collected our reports. But according
to him, the broadcast will be sent in late August. I will definitely
inform you on the forum as soon as I know more.
Useless to say that we had a magnificent weekend among friends, which
is terminated with the hope to find the CD in France as soon as it
appears.
You can discover other photos of the concert: Instantanés
du concert (Snapshots of the concert) and Instantanés
de bonne humeur (Snapshots of good humour).
{With the kind participation
and the excellent translation by Suzanne GROTTI. Thank you very much
Suzanne.}
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